I'm slowing learning to adapt to life in the Boston suburbs. We've moved into the house that the Merry Husband bought several years before we got married and had rented out when he moved to California. It's an old house by my West Coast standards, built over 100 years ago by a turkey farmer. Over the years, parts of the house have been renovated so that the sleek Modern (granite counters!) now co-exists with the charming Vintage (radiators! original tile!) and the hopelessly Outdated (please tell me that is not my closet).
Everything here seems infused with history. As I write this, I can look out the window at the wooded remains of the now-defunct Middlesex Canal, which connected the port of Boston to the Merrimack River 27 miles away when it was completed in 1803. In the mornings, my running route takes me past a cemetery that looks like a set for Sleepy Hollow and a library that could double for Hogwarts. When I have insomnia, the old bell tower in the town center lets me know just how late (or early) it is.
But our town pales in comparison to the two giants of American history next door, Lexington and Concord, birthplace of the American Revolution. On a recent afternoon, the Merry Husband and I visited the Concord Museum, which had opened its doors for free for the day
| Museum Entrance |
Here, you can see one of the two lanterns that hung in the belfry of the Old North Church on April 18, 1775, the night of Paul Revere's famous ride.
Concord was also home to a different kind of revolutionary, Ralph Waldo Emerson. In 1930, the contents of Emerson's study were moved to an exact replica of the room inside the museum.
As someone who keeps a book of Emerson's essays on her bedside table, I was especially thrilled to see this part of the exhibit.
The museum also houses other "period rooms", including this mock-up of an early 18th century chamber.
I have a weakness for Staffordshire figures, so was very interested to see this one of Uncle Tom.
In the 19th Century Parlor, these figurines graced the fireplace mantle.
I enjoyed admiring the museum's architectural details almost as much as the museum's exhibits.
If you find yourself in Concord for a day, you can easily work in a visit to the Emerson House, across the street from the museum.
Louis May Alcott's Orchard House, a must-see for anyone who loves Little Women, is just down the road too. For lunch or dinner, stop by the Village Forge Tavern at the Colonial Inn.
As someone who keeps a book of Emerson's essays on her bedside table, I was especially thrilled to see this part of the exhibit.
The museum also houses other "period rooms", including this mock-up of an early 18th century chamber.
| This was a multi-function room, used for dining and entertaining. When not in use, the dining chairs were pushed up against the wall. |
I should have asked the docent what paint was used in this room. To my eye, the color looked very similar to Farrow & Ball's Breakfast Room Green.
The "Mid 18th Century Chamber" featured a red and white Queen Anne easy chair that I would love to have in my own home.
I have a weakness for Staffordshire figures, so was very interested to see this one of Uncle Tom.
In the 19th Century Parlor, these figurines graced the fireplace mantle.
I enjoyed admiring the museum's architectural details almost as much as the museum's exhibits.
| View of the museum across the lawn. |
Louis May Alcott's Orchard House, a must-see for anyone who loves Little Women, is just down the road too. For lunch or dinner, stop by the Village Forge Tavern at the Colonial Inn.





